|
Boston Rock Opera, 27 June 1998
Neal's Report by Neal Hannan Gary Cherone came back to Boston to visit some old friends at The Middle East downstairs in Cambridge, MA, where he performed two songs for the Boston Rock Opera production, A Night @ The Opera. The gig was a homecoming of sorts for Gary, a native of Malden, MA, and it seemed everyone on hand was a friend and remembered seeing him in that same setting years ago. After all, it was the same stage where Gary first performed in the BRO production, Jesus Christ Superstar, in 1994. Before he took the stage, Gary moved about the back of the club with his hometown friends and family, including Pat Badger and Mike Mangini, both formerly of Extreme. It was amazing that so few people even knew Gary was there, after all he wasn't orignally advertised to be there. Of course that all changed after he took the stage. Pat Badger emerged to take the stage for bass and lead vocals, accompanied by Mick Maldonaldo and Matt Thorsen on guitars, the BRO chorus on backup vocals, and Nigel Matthews on drums. Pat performed an interesting version of the Beatles' classic Getting Better All the Time (Sgt Pepper's Lonely Hearts Club Band). When Pat finished rocking out that tune, he came to the mic and said, "It's time for the singer to take the stage!" Emerging from the left side of the stage and decked in shades, came Gary; replacing the famous black bell bottoms with green cargo pants, and t-shirt, and a Quadrophenia green jacket instead of his Van Halen blazer, pair of black Oakleys on. After a brief ovation, Mick and Matt struck Pete Townsend's opening chord to The Punk Meets The Godfather and the magic continued. Gary danced around the stage for awhile, before jumping into the opening lyric, "you declared you would be three inches taller" and then the back and forth with the BRO chorus began. He did the piece true justice, with Pat adding fantastic backup vocals. The two of them looked great up there, together again. Could it get any closer to being Extreme? Well, there was a pleasant response to that last question. Following The Punk Meets The Godfather, Nigel Matthews left the drum set, and Mick came to the front to tell the crowd another of Gary's friends, and BRO supporter, was in town: Mr Mike Mangini. Gary walked around making sure everyone was ready, and making sure this last minute band had it together. Seconds later, with his back to the crowd, he belted out "Can ya see the real me? can ya? can ya?" and then the real rocking began!!!!!! Gary, Pat, and Mike rocked together, with Gary moving about the stage, in classic form. After it was done, Gary and the boys received a standing ovation, and I can tell you at least some fans were crying (honestly) because it was so good. It was nice to see the lead singer of one of the biggest bands in the world has not forgotten his roots. Gary is a class act, and VH is lucky to have such a great guy. After the show, I spoke with Gary briefly about the tour, and he seemed bit disappointed that "We were just getting going, with 22 shows under our belt, and then boom," (referring the the cancellations on the European leg). He's very anxious to continue the tour on July 1, and commented that Alex will be fine, so let's all let out a giant sigh of relief. Look for some set list additions from III and some varying up of the old tunes - we're in for a real treat! "And I promise you, it will only get crazier from here!" The Producer: Eleanor Ramsay interview by Alison Cummings Eleanor Ramsay has, once again, been kind enough to speak with Rise N Shine: this time, we conducted an email interview after A Night @ The Opera, and she filled me in on the background to Gary, Pat and Mikes involvement with the show.
How did Pat get involved with the
show? Did he approach you, or was it vice versa? When did Gary and Mike get involved? Was it a
planned "reunion", or more of a spontaneous thing? What was it like working with the three of them
together? I'll bet it was fun, in that they would've enjoyed being together again. I know Gary performed excerpts from Quadrophenia.
Which parts were they? The Who is one of many bands who Gary's voice and
stage persona would adapt to very well. In fact, there's no question about how good the
performance would've been. To your mind, what was the best aspect of it? And how did Gary
bring his own interpretation to the song(s)? Gary mentioned to me in New Zealand that he
couldn't wait to work with BRO again. So is JCS on the horizon for him soon? And is there
a chance that Pat and Mike could be involved in any future BRO productions? by Jan Clark I was among the extraordinarily privileged and small group of people who were fortunate enough to be in attendance at the Night @ The Opera last Saturday evening. Not only was it an excellent show in every sense of the word, but those of us who love Extreme got to see three quarters of the band perform together live, and let me tell you, they kicked major ass. Gary's performance was nothing short of stunningly brilliant, and Pat and Mike were also at their best. After the show, I had the opportunity to meet all three of them, which was something I had entirely given up on since they broke up and Gary is always surrounded by mega-security at the large venues. It was a real thrill for this fan, and I will remember the evening forever. Any fans in the area should definitely give the Boston Rock Opera your support; they are an amazingly talented group of people, and you will not be disappointed if you attend one of their shows. I have heard about how humble and down-to-earth the members of Extreme were, but I never expected them to be so genuinely kind to a silly old fan like me. Thanks guys.... I really appreciate it, and Gary, I'll see ya at Great Woods!! |
|